It was as if John Green, Wes Anderson, and Diablo Cody teamed up to write the most charming, poignant teen-dying-of-cancer movie possible; though it was more-densely allusive than a pop-culture version of T.S. Elliot's
The Wasteland, the movie avoided being overly pretentious, giving the viewer a charming story about insecurity, acts of kindness, and the difficulties of self-awareness.
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