Woody Allen has one central trope in a lot of his later movies: a young girl falls in love with an older man, which is fine, but at times can be distracting; this movie had a clever central conceit (which I can't talk much about since it will give away the whole film), but it was lost in an unnecessary love triangle in which a broken older man who is a known radical and misunderstood by most, a clear stand-in for Woody Allen, was caught between two women ready to abandon their committed (and seemingly decent) relationships.
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